CV&BIO / PRESS / ARTIST’S STATEMENT / CONTACT
Paris based artists, Denis & Anne have shown in the Pompidou Centre, the Barbican and the Tate Modern. Their work involves collaborations with scientists, artists and the public, taking many forms but focusing always on the act of looking, a conversation with the eye of the beholder. Since 2017 they have been practicing under the name “The School of Looking” to reflect this overarching programme of their work.
—New Year Festival, Custom House Quay, Dublin Dec 31, 2019
—WexSci Festival, Wexford, Nov. 2019
—La perception dans tous ses états, Théâtre La Reine Blanche, Paris, 8 Oct. 2019.
—Nuit Blanche, Paris, 5 Oct. 2019.
—The Colour of Time, Junction Festival, Clonmel, Tipperary, July 2018
—Self Impressions, Tate Modern, London, 24-25 Mar. 2018
—Theatre of the Mind (with David Byrne) Governor’s Island, NYC, Oct. 2017
—Afterimage (launch) Westside/CÚRAM, Galway, 16 April 2018
—This is Rattle, LSO/The Barbican, London Sept–Jan. 2017-18
Joining the Dots, Cork Street, Tralee, Kerry, 2012
Time is a dimension like any other, Digital video. Dublin 2013
Cleary Connolly guests on France24, April 2013.
Run River Run
Galway University Hospital, 2016
In the Picture
Video installation
The Barbican
London, 2010
Sombras e Luz
3 installations,
Sesc Pompéia
São Paulo, 2009
Day One
Today
Permanent
installation
LCAD
2009
Still life with…
Hunt Museum
Limerick, 2009
Colour Wheels. Permanent installation.
MIC, UL, Limerick. 2011
Particles or Waves? Participative urban intervention, Limerick City, 2014
Dutch Wax. Installation. Dublin Contemporary,2011
Blip!
Gaelscoil Bheanntraí.
With Derry O’Sullivan.
2014
Pratiques
5 Permanent installations
Mediathèque de Sorgues.
2010
One Small Step One Giant Leap.
Sallins National School, Ireland, 2012
We Can Fly, Commission for two special needs schools, Ballina, 2010
Luas Carol.
Sound by JP Renoult/Dinahbird
40’00”, 2009
The Observer Effect. Digital film. Dublin, 2008
Natures Construites
2007 17’08”
with JP Renoult/Dinahbird
RVB
Video installation
With sound by Dinahbird
2004
BPM
Digital video.
With JP Renoult.
2004.
Scenes Du Boulevard
Series of 24 short videos
2002
12345SIX
With Jean Philippe Renoult.
10’00”. 2009
Lumiere Durham, 2015
(Interview @ 01’24”)
Lumiere Derry, 2013
Farmleigh, Dublin, 2012
Joining the Dots
Hotel de Ville
Paris, Euro 2016
Joining the Dots
German Gymnasium, Kings Cross
Lumiere London 2016
Pourquoi pas toi?
Pompidou Centre, Paris, 2008-2009
Real Time Rolling Shutter
with David Monaghan and
Conor Gallagher, 2012
La Tristesse du Roi
with "Être par Six".
Centre Culturel Irlandais,
Paris 2015
On Sight
4 Permanent stereoscopic installations
Lough Lannagh, Co. Mayo. 2012
The Absent Architect
3 installations,
Casino, Marino
Dublin 2013
L’Ecole du Regard
Ecole Du Breuil
Paris 2015
Loreto Kilkenny, 2015
Ardscoil Na Mara, Tramore, 2014
Walkers of Air
My feet don’t touch the ground
Cleary Connolly’s multi-disciplinary exploration of the art and science of looking
Our first video work, Touchy was part of a long series of subversive performances that we made during the 1990s. Old enough to be interesting again…
RECENT EVENTS
METAPERCEPTUAL HELMETS
CHANGE YOUR STRIPES
JOIN THE DOTS
ROLLING SHUTTER
MARCONI STATION
ON SIGHT
DELAY BASED INSTALLATIONS
LIGHT INSTALLATIONS
THE GREAT LEAP
(public commissions)
THE MOVING CITY
(films)
Moving Dublin. Book & Film. Public commission, 2007-2009
You’ll come and find the place
With JP Renoult. 2008 03’27”
St. Patricks College, Cavan
2014
Particles or Waves?
Scoil Nioclais
Cork, 2017
Questions
Yellow/Blue Project with Patrick Cavanagh
and David Byrne, Governor’s Island, NYC, 2017
SELF-IMPRESSIONS at the Tate. Institute of Philosophy/University of London, March 2018
Portrait of Professor Abhay Pandit, Scientific Director of CÚRAM. Extract from our Afterimage commission for CÚRAM, Centre for research in Medical Devices, National University of Ireland, Galway, 2018.
School of Looking MIC & Donoughmore NS
2018
Junction Festival, Clonmel, July 2018
Cyclops Helmet with Neil McKenzie
Metaperceptual Helmets, 2014–2019
The wearer becomes a hybrid creature - part human, part machine, part animal, but also part work of art: a work of art that challenges those who contemplate it - from the inside or from the outside - to consider a new perspective on the world.
With Guillaume Dumas at Théâtre La Reine Blanche for La perception dans tous ses états, Paris, 8 Oct. 2019.