Cleary Connolly

NEWS












  1. 14 November 2011: Colour Wheels, permanent light installation for MIC, launched by Minister for Arts Jimmy Denihan.

  2. Book-launch in October, Dublin Contemporary 2011: In the works / Vu de l’interieur.  Gandon Editions ISBN 978 0948037.

  3. 22 Sept - 15 Oct 2011: Lausanne Danse 11. Installation in les Arches du Grand-Pont, Lausanne Switzerland.

  4. 5 September 2011: Dutch Wax launched as part of Dublin Contemporary 2011, Earlsfort Terrace, Dublin (6 Sept - 31 Oct 2011)

  5. 30 May 2011: Joining the Dots launched as part of Kerry Public Art Project in Killarney, Co. Kerry, Ireland.

Public Art Projects Video Artists Installation Art Interactive Art Conceptual Art Contemporary Art Irish Art New Media IAT Denis Connolly Anne Cleary Boulevard Barbès Paris Dance The Place Political Art Works The City In Context 3

The City

Suburbban sprawl

transport



The City as a work of art


Digital films

2007-2009


music

Dinahbird

JP Renoult


> PHOTOS


NATURES CONSTRUITES


The City is a force of  nature in its own right, constantly reshaping and reinventing itself, struggling to shake off a century old skin of concrete, iron and asphalt that it has outgrown. The transformation of the Boulevard Barbès is one of the waves of works sweeping the north of Paris, urban regeneration sparked by a growing sensitivity to the environment.


Produced with support from the Département de l’Art dans la Ville (Mairie de Paris) and the Mairie du XVIIIe Paris

MOVING DUBLIN

First Movement


Digital Video Installation

2008

1080i HDV


65’57”



> PROJECT SITE

Moscova. 09’32”

Vico Road. Extract 03’14” With Jobst Graeve

EarthWorks 02’57”

The essential paradox of filming everyday journeys is that once you point a camera at something, it ceases to be everyday. People are inhibited by it or they perform for it, and the camera is naturally drawn to ‘remarkable’ things: beautiful shots and strange happenings.

The Baths at Blackrock and Dun Laoghaire were unheated saltwater swimming pools on the coast. The two abandoned edifices are still there today, battered ruins in whitewashed concrete. Further along the coast is one of the most beautiful spots in the world: the Vico Road bathing place.

Moving Dublin explores this everyday world of movement in Dublin and its vast sprawling suburbs spreading out west from the coastal city. We consider the beauty and the agony of the city’s everyday life and the universal issues embodied in the private preoccupations of its citizens.

Moving Dublin

2007-2008

Moving Dublin has been commissioned by South Dublin County Council through In Context 3 and funded under the Department of Environment, Heritage and Local Government’s Per Cent for Art Scheme.

Paris

Films

Moving Dublin explores the everyday world of movement in Dublin and its vast sprawling suburbs. A synthesis of two years of work in Dublin, the one hour film looks at how far the contemporary world of the Dublin commuter has strayed from the civic realm it constituted  when Joyce wrote the Wandering Rocks chapter of Ulysses.

Studio 1: Plus/Minus. Clip 02’34”. Music by Remote

Studio 2: Colour/Motion. Clip 01’53”. Music by Remote

Studio 3: Mobility/Stillness Clip 02’15”. Music by Remote

VITRINE: Then/Now. Clip 01’08”

123456SIX. 10’00”

PublicWorks 03’43”

In addition to our 2007 study of work - 12345SIX, about the making of stripes - we have been looking at the city we live in at rest - the little park of Moskova - as well as continuing the theme of work with a series of five short films about Nature in construction. EarthWorks: piercing the earth; TarWorks: the hotness of bitumen; StoneWorks: the hardness of masonry; WoodWorks: the perrenial cropping of trees; PublicWorks: layers of urban life printed on the pavement.

The film is a composite image of many journeys in many different times or seasons. We used the train as a Dolly to provide us with moving shots of Dublin’s girdle. Luas Carol is composed as a single composite journey, where movement, sights, and sounds reflect the living, moving city.

Luas Carol. Extract (Museum) 01’20”

LUAS CAROL


Video Installation

In Production

2007-2009


Image

Anne Cleary

Denis Connolly


Sound

Jean-Philippe Renoult

DinahBird

http://www.youtube.com/watch?v=BjqrgMNp08k&feature=related
http://www.youtube.com/watch?v=BjqrgMNp08k&feature=related
http://www.youtube.com/watch?v=BjqrgMNp08k&feature=related
http://www.youtube.com/watch?v=BjqrgMNp08k&feature=related
http://www.connolly-cleary.com/Dublin/
http://www.connolly-cleary.com/Dublin/observer_effect.html
http://www.youtube.com/watch?v=mdJn7vkAABE
http://www.youtube.com/watch?v=PKkUkmyBpjM
http://www.youtube.com/watch?v=5DovKv3VcIc
http://www.youtube.com/watch?v=50NhI9wlEyU
http://www.youtube.com/watch?v=HIqEPIsGmws
http://www.youtube.com/watch?v=_xg4fgM7BSc

POURQUOI PAS TOI?


Centre Pompidou

15 octobre 2008 -12 janvier 2009

Our recent exhibition in the Pompidou Centre, Pourquoi pas Toi?, engaged a heterogeneous public. We set up three environments that were both studios of creation and exhibition galleries. These studios were more or less empty and it was clear that without the participation of visitors, nothing would happen; the empty studios would remain, literally, empty. But once visitors enter the studio, is it enough for them to be present, watching, for the studio to come to life?

Our invitation to them did not specify their involvement, there were no instructions. We brought them to the threshold between observation and participation, where they could step in and out of both worlds. As artists, we had set up the rooms with cameras and projectors and infrared lamps and created the computer programmes to manage these entanglements. Were we observers then? Were we participants?

Pratiques I-V

Everyday cultural practices, both amateur and professional, form the essential—and often invisible—counterpoint to the finely honed production of works of art. The daily rehearsal of dancers, the meeting of an amateur theatre group or the readings of a book are repetitive activities that transform and elevate the fabric of everyday existence and create an environment where artistic production becomes possible. The Pôle Culturel  Camille Claudel is the new home of cultural practices for the community of Sorgues. The town built this major new cultural facility (designed by the architects Deshoulieres and Jeanneau, ably represented on site by Alexandre Capiaumont) to embrace a wide spectrum of activities: dance, music, reading, writing, visual arts and theatre (as well as artisanal activities to be accommodated by the socio-educative workshops). These repetitive, explorative activities make a place that is more about practice than production: a place where the process is as important as the result.

We were awarded the 1% commission in 2009 to create a series of digital artworks, integrated into the architecture and relating to the activities of the building. We proposed to make the works with local people, based on a series of workshops and photo shoots.

During the winter and spring of 2009-2010, with much help from Olivier Orsoni, Véronique Bruand and Francis Grand, we elaborated a series of workshops with a range of people from Sorgues, from school children to pensioners. With the encouragement of Jacqueline Blanc from the Ministry of Culture and the Mayor of Sorgues, Senator Alain Milon, we eventually elaborated two video installations to complement the three photographic works on glass.

VIDEO WALK-THROUGH

PHOTOS

WORKSHOPS

TECHNOLOGY


VITRINE Then/Now

STUDIO 1 Plus/Minus

STUDIO 2 Colour/Motion

STUDIO 3 Mobility/Stillness



        PDF

Colour Wheels. Permanent light installation for MIC,University of Limerick, Ireland

Joining the Dots. Permanent video installation, Tralee, Co. Kerry, Ireland.

On Sight. 4 Video-sculptural installations

at Lough Lannagh in Co. Mayo, Ireland

Lausanne Danse 11. Installation in les Arches du Grand-Pont, Lausanne Switzerland.

Dutch Wax launched as part of Dublin Contemporary 2011, Earlsfort Terrace, Dublin (6 Sept - 31 Oct 2011)